Portrait “In the Sink”: Why Not?Posted: April 11, 2012
Yes, he’s really in the sink! I’m so pleased with this pose.
When I work with a customer for a portrait, I ask them what comes to mind when they think about their animal companion. I advise them to choose a pose and setting as close to that visual as we can devise, using my own portraits as examples. It’s nice to have a formal setting where we can see every stripe and spot and whisker and sometimes this is entirely appropriate depending on the subject’s personality, but if they had a cute or quirky habit that can be illustrated into a portrait, we should do it!
Madison’s person is the person I grew up next door to, but haven’t seen in years after she moved away for employment and then my mother moved out of her house and I sold it. We reconnected and managed to get our mothers together for one last visit before each fell too deep into dementia to travel around.
She had also told me she would bring photos of Madison and that she’s like to have me do his portrait. How wonderful to find out she’s just as much an “animal person” as me.
I always let my customer make the decisions for the portrait, but if I see a good photo I’ll put in my vote without hesitation. He looked so natural in the sink and I loved his expression. “Oh, he was always in that sink!” she remarked. So here he is.
She lost Madison, who was her first cat, to diabetes at only eight years old. She didn’t have too many photos, but this pose was definitely a winner! Not just because he’s cute in the sink, although he is, but also because it will make her laugh when she looks at it, and what better healing for the grief of loss than to remember with a smile. I’m so glad to know that another person, a special friend, has a portrait that shows their animal companion as they want to remember them.
Animal fur is different from human skin, and because of texture and pattern it looks different in every photo you’ll see. In each of Madison’s photos, the details of his face were lighter or darker, the area on his chest had a collar and tag in one photo and not in another. These are common things to work around, and from both experience and real life I can fill in the details. It just so happens that I am fostering a big tabby cat who looks so much like Madison and has been a great model, and who came in just as I was finishing, that it must have been meant to be!
What I always do in building a subject, especially one I never met, is to work from the photos until I feel that I know my subject and the photos start to get in the way. Then I put them away and work with nothing but what I see with my creative eye. That’s when the essence of the personality is instilled in the portrait, and every time I’m amazed at what’s taken life on the paper. And I know by the reaction of the person who’s come to look at the work.
I never delude myself to think that a portrait can take the place of a real live animal, but it can certainly help with grief. Through the years, many customers have contacted me to let me know how much it means to have the portrait in their home, that they greet the portrait or talk to it, or visit it when they are feeling overwhelmed with loss, even that other cats have reacted to it.
The portraits work for me. I have several of my own to visit.
But on a lighter note, here is a detail shot of the faucet. All that illustration experience really paid off.
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