The Creative Cat

Riley

Learn more about Great Rescues Calendar and Gift Book

There Was Just No Other Kitty After Samantha

The Portrait That Started it All

Posted: September 4, 2011 | Author: Bernadette | Filed under: cats, feline artwork, great rescues families, my household of felines, pastel painting, pet loss | Tags: cats visiting after death, fawn the cat, feline visitations, pet loss, pet return | 11 Comments

Waiting for Mom, pastel © B.E. Kazmarski

One night in early April, 1988, still with patches of snow on the frozen earth, a very small, very pregnant cat sang a little song to me out in the alley, politely but confidently asking if she could come into my home to give birth to her kittens. Of course, I said “yes”, and ten days later I witnessed the entrance to life of four independent and individualistic progeny. The last one born stayed with me after the others were adopted; the “runt of the litter”, the little cat with the big attitude, a torbie who loved only me, my Fawn.

This was my first full-color portrait of one of my cats, and she led the way to all the other commissioned portraits of animal companions I’ve done in the past 20 years.

This is Fawn’s story in Great Rescues Calendar and Gift Book

Creating the portrait, this first one just for me

And so it was, though I had no idea at the time that I was launching a new career. And looking at this painting even today, I have no idea how I did it then. I didn’t have the skill, insight, ability to visualize or any of the ephemeral abilities I have now, but I managed to see the essential details and put them on paper.

But I didn’t set out to create a portrait—that was all in the future—and, for this last time, with the knowledge that I never needed to show it to anyone, ever, if I didn’t think it was acceptable.

I painted this in 1989, just about three years after I began seriously working my way through learning to draw simply by drawing all the time, after work at night and on the weekend. It is painted in pastel, but when I began I hadn’t even purchased real pastels yet, I was still working largely in colored chalk. I purchased an inexpensive student set of pastels and continued working with the new colors, then purchased individual pastels and pastel pencils, then just got a part time job at the art store because everything was so darned expensive and I was hooked.

The reference photo for "Waiting for Mom"

I remember looking at the photo I’d taken the year before when Fawn was a kitten and thinking “that would make a nice painting”—so funny to think of now as I look at other photos every day and think the same thing, 23 years later, and then I’d hardly even call myself a beginner. The nerve of me! Of course, I adored Fawn being excessively cute when she ran under the bed and peeked out, waiting for me to walk by so she could pop out and grab my ankle, and my inspiration was just as much to share her and her antics as it was to produce a good painting. Really, that hasn’t changed in all these years.

But I was also intrigued by the “white” dust ruffle, seeing for perhaps the first time all the colors that make up a true white object in a painting. I really, really wanted to paint this, fairly large, and in color. I wasn’t visualizing it as realistic as it is, more impressionistic was the style I had in mind. I can see the influence of Mimi Vang Olsen, and Lowell Herrero, two artists whose feline images were very popular then, appearing on many gift items I received, and I was influenced by the flattening of some angles and simplification of pattern.

At that time I found it difficult to loosen up my style. I had worked on my skills just in basic drawing to the point where I felt I had a good bit of control over what my hands were doing, but the image I produced no longer looked stiff or forced, at least most of the time. But I loved the Impressionists, and I wanted to paint like that!

Detail of "Waiting for Mom"

It wasn’t to be for this painting, and in many ways I’m glad. This painting took me months, in part because I was intent on matching the shade of yellow in the gingham bedspread and also quibbling with myself about all the details that weren’t “perfect”, such as the nicks and scratches on the bedpost, the wrinkle in the rug, and, of course, the wrinkles in the dust ruffle and bedspread. I was embarrassed at my housekeeping, but an artist friend of mine convinced me that those were the things that added interest and character to the painting. I learned so much more in the art of painting what I actually visualize rather than what I know, and adding what I feel.

After all the time spent on other details, Fawn the kitten was sketched in there in probably just a few hours! And while I do like the simplicity of her face I sometimes wish I had made Fawn’s eye as round as it actually is because it adds that essence of excitement to her look that truly makes it a cute kitten, and Fawn.

In the end, this was the painting I looked at and said to myself, “I think I can really do this,” and the painting others looked at and asked, “Can you paint my cat too?” The rest is all in my portfolio, and for this reason, Fawn’s portrait is the first portrait in my first Great Rescues calendar, a tribute to the kitten who led me to that part of myself that could find the essence of my animal portrait subject and bring my portraits to life.

Fawn

About Fawn

Fawn was a real live wire as a kitten—always swinging from something and talking about it—and was very attached to me; I had known her from her first moment of life and I was always honored at being the the only living being in the world Fawn liked.

And even though, years later, we’d moved and changed the bedspread and dust ruffle, at least once a day when I went upstairs Fawn still dove under the bed and peeked out, waiting for me to walk past so that she could leap out and grab my foot. Little did I know when I chose to paint this when Fawn was about one year old that this moment would be one I would seriously want to remember.

Fawnball, my Fawn, linoleum block print © B.E. Kazmarski

And especially so, when a mere ten years later I lost her to lymphoma, though through the pain of my grief she sent me a wonderful sign that she accepted what had happened; read The Balloon.

And Fawn has inspired other works, most notably “Fawnball” and the series of block prints entitled “Tabbies“.

I will always be thankful to Fawn for giving me this gift. She is one of the family of cats in the dedication to this calendar:

Thank you, Kublai, Sally, Stanley, Allegro, Moses and Fawn,
my first feline family, for patiently showing me the way;
only gone from this mortal life, you are immortal in everything I create.

Here is Fawn’s page in Great Rescues:

Read other stories about cats and their rescuers from Great Rescues.

Big Kitty Love

Riley

Learn more about Great Rescues Calendar and Gift Book

There Was Just No Other Kitty After Samantha

Big Kitty Love

Posted: August 26, 2011 | Author: Bernadette | Filed under: animal artwork, books about cats dogs and animals, cat artwork, cat photographs, cat stories, cats, cats I know, great rescues calendar and gift book, great rescues families, rescue cats, rescue stories, senior cats | Tags: cat paintings, cat photos, cat stories, cats, great rescues calendar and gift book, great rescues families, pets, rescued cats | 7 Comments

Felix, pastel, 2004, 16" x 23" © B.E. Kazmarski

This magnificent cat was rescued and originally placed with someone who unfortunately not only let him out, but literally kicked him out, causing a permanent injury. Felix found himself back with his original rescuers who kept a registered rescue for cats in their home.

His forever family had recently lost one of their three Persian cats, long-haired of course, and with tabby markings. Waiting a respectful time after the loss, a friend at work told the story of Felix, the big, gentle long-haired tabby who truly resembled a Maine Coon cat; one day soon after there was a photo of him left on the desk. The gentle hints were well-timed and effective and soon they traveled to meet him, won over the skeptical rescuer, and brought him home.

This is Felix’s story in Great Rescues Calendar and Gift Book

About Felix’s mom and dad, serial adopters and rescuers

Flint, pastel © B.E. Kazmarski

Both Felix’s mom and dad had grown up with pets but those animals had always gone outdoors and as a young married couple living in an apartment they were sure a pet wouldn’t be happy. A friend had Persian cats and in visits they were so impressed with the cats’ looks and personality that they adopted, over time, three of them.

Cameo, pastel, © B.E. Kazmarski

I first met them years later after they had lost that first Persian kitty, Flint, and he became one of the first portraits I painted the year I began this business in 1993. I also met Scout and Cameo and painted their portraits in time as well; Scout is the tabby Persian kitty mentioned in Felix’s story, above.

Scout, pastel © B. E. Kazmarski

Felix was their first mixed-breed rescue cat. They had been so impressed by the Persian cats they met and lived with, and while they moved from an apartment to a home and didn’t need to be concerned about space, they also each worked long hours and traveled frequently. The Persian cats they adopted from their breeder fit well into their lifestyle and they weren’t sure about taking on a shelter or rescued cat whose needs they might not be able to meet. Until Felix, that is.

Liam, Ceili, Julia and Amy

Since Felix they’ve adopted several rescued cats in about the same way as Felix—photos passed around the office, or a flyer, or an e-mail with a story. In addition, they’ve rescued a few of their own from the outdoors, taking them in, getting veterinary care and finding homes for them, and also feeding, spaying and neutering a parade of outdoor cats.

When I visited there were two rescues lounging indoors and four cats who they fed outside the door on the patio who had been spayed and neutered through the Homeless Cat Management Team, a TNR program based in Pittsburgh. I was not surprised to see there was even a water bowl that could be heated for winter use. After a recent visit to them I wrote about their little outdoor family.

Felix, detail of his face.

About Felix

Felix was a natural model, a big, confident cat who knew just how to pose. I took a number of reference photos when I visited to be used for details, but this portrait was modeled after one shot I particularly liked for the lighting and the minimal details in the background.

It is not unheard of to find a breed cat living on the streets, but most often the ones who appear to be a breed simply have a majority of breed traits pulled up from their genetic history. Maine Coon cats are very popular for their mellow personality, and aside from being very large they don’t look exotic as many other breed cats do. I’ve seen people call nearly any long-haired tabby cat, or just a big tabby cat, a Maine Coon cat. Yet he did have many features and the demeanor of a Maine Coon cat, and I believe a friend of his peoples’ who was a breeder looked him over and said he certainly looked like one. There’s no way to tell without genetics, but when I met him, I certainly sensed the traits I associated with Maine Coon cats—not just a big cat, but a big presence, and even with the gentle demeanor, a sense of the wild in them. I loved watching Felix walk on those huge feet padded with so much fur.

Unfortunately, Felix didn’t live too long past the portrait, and they only had six years to enjoy his company, but after his horrible beginnings—no one knew how such a nice and handsome cat ended up on the streets—at least he spent his last few years with two of the best people any cat could hope to find.

Here is Felix’s page in Great Rescues:

Read other stories about cats and their rescuers from Great Rescues.

Riley

Learn more about Great Rescues Calendar and Gift Book

There Was Just No Other Kitty After Samantha

Posted: August 18, 2011 | Author: Bernadette | Filed under: animal artwork, books about cats dogs and animals, cat artwork, cat photographs, cat stories, cats, cats I know, great rescues calendar and gift book, great rescues families, rescue cats, rescue stories, senior cats | Tags: cat paintings, cat photos, cat stories, cats, great rescues calendar and gift book, great rescues families, pets, rescued cats | 3 Comments

Samantha, pastel © B. E. Kazmarski

There has not been another kitty since Samantha. Sometimes a memory is too dear, and time must pass before the heart is ready for another love.

The Story

In Samantha’s mom’s case a dramatic change in schedule just didn’t allow for another adoption for quite a few years after she lost Samantha. Her employer began reorganizing the company nationwide, and she was given an opportunity that required her to travel frequently and for several days, even weeks, at a time. In a way, it was an antidote to the suddenly empty home.

But the heart is sensitive in other ways after caring for a loved one through a sustained or chronic illness as well, less likely to take risks in many ways.

While many kitties were presented and could have done well with her travel schedule, the memory of Samantha’s long decline into kidney failure and the final months of administering subcutaneous fluids herself at home made her consider what she would do if a feline illness presented itself while she was traveling. Risky; best not take the chance, at least until the traveling is over. Sometimes that is the best decision, especially as the months turned into years.

Another portrait at the same time

Though there has not been another kitty since Samantha, there were several kitties before. In fact, when I painted Samantha’s portrait, I also painted another of three cats she had known before and who were, in part, the ones who led her to Samantha.

Honey, Tommy and Andy, pastel © B. E. Kazmarski

Honey, Tommy and Andy were mom, son and daughter and while Honey had other kittens this little family of three was a perfect combination: Honey, though petite, was decidedly the boss; Tommy, big and rangy was as sweet as candy; and Andy playful and affectionate.

Honey, in the front, was the mother, and Tommy on the left and Andy on the right were two of her kittens. “Honey was tiny, but she was the boss, definitely the leader,” Samantha’s mom said, remembering the three cats. “Tommy was big but as gentle as a kitten—Honey used to boss him around—and Andy was sweet and playful. We were definitely a family,” she continued. Honey lived into her late teens, outliving both her children, and after that the home was without cats for a while, and then…

Samantha’s Rescue Story

During a visit to a friend who had cats, Samantha’s mom realized she needed the love and affection a cat provides. At a local Humane Society she saw this tiny kitten alone in a cage. Her large yellow eyes begged her mom to save her. The kitten was very small and delicate, her coloring totally black with very fine silky fur; asking the attendant, she learned the kitten was a Burmese and was the runt of a litter. She picked up the kitten who immediately cuddled on her shoulder and she was in love! Then she thought it would be nice for the kitten to have a playmate and selected another kitten, holding both in her arms. The Burmese would have none of this and hissed at the other kitten, possibly due to her bad experiences being bullied by her litter mates. Deciding the kitten needed her as much as she needed the kitten, she took the kitten home, named her Samantha, and had 19 wonderful years with her. (From Great Rescues Calendar and Gift Book)

Planning the portraits

When we planned the two portraits, Honey, Tommy and Andy would be “in heaven”, so they look as if they are in the clouds.

When we ultimately chose Samantha’s pose, that one perfect photo of her awakening from a nap on her little wicker chair, nestled among pillows in the sun, she was looking upward at just the right angle that when we hung the portraits on the landing in her home she was indeed looking up at them, and thanking them for leading the way for her mom to find her.

And Samantha’s mom remembers taking the photo, just capturing that moment when Samantha awoke and gazed around sleepily, relaxed and content.

I can attest that it’s difficult to photograph black cats and used my own black cat, Kublai, as a model for the highlights on her face, paw and body. I remember, initially thinking Samantha was a fairly large kitty, comparing her to the chair and thinking it was a papasan-style or one of those grand wicker chairs I used to see at Pier One and other places, with a deep seat so the pillows were off in the background, but it turned out to be a petite little chair, just right for a petite little kitty.

And not only does the heart hold the memory dear, but also the things attached to the memories. Samantha’s mom still has the little wicker chair, knowing it’s just an object, just a part of all the things Samantha touched in her home, she’ll always keep it as part of the memory of Samantha.

Creating the portrait

I never met Samantha for all the times I visited this person’s home, though she was still around but in her late teens when I painted the portrait, and not feeling well. After the portrait was completed her mom told me that Samantha had developed renal failure, and she was giving her subcutaneous fluids on a regular basis.

I’ve done this plenty of times since then, but at that time I had not and was greatly intimidated when my black cat, Kublai, needed them a few years later. I remembered Samantha and her mom, and that gave me the reassurance if they could get through it, I could do it too. I’ve learned so much from both the cats I’ve known and the persons who’ve loved them.

Closeup of Samantha's face

This portrait was a turning point for me. With each portrait I’d done I had experimented with colors and techniques and been able to start visualizing the way I’d work certain areas as I studied my reference photos, determining the colors, the way I’d apply and blend them so the decisions didn’t even seem conscious.

I remember finishing work on Samantha’s eyes, leaving to take a break, and looking later to see things I didn’t even remember doing, colors applied, blends and clarified edges I hadn’t consciously decided to create, the clarity of her eye in front of her pupil and the shadows and highlights within her eye, highlights on her face and paw, I didn’t know how I’d done this. I knew I’d reached a new level of skill and observation, and with it the confidence that I was on the right path. For many years, Samantha was the signature of my my business, on my business card and brochure until the portrait of Stanley, which is my signature portrait now.

Choosing Samantha as the cover kitty

Samantha as the cover kitty.

I had visualized this project, cover and all, for over a decade, and in a corner of my mind I had always pictured Samantha on the cover, possibly because she had also been on my brochure and her portrait meant so much to me as an artist. I knew I wanted to use a warm, rich color for the cover, dark enough to support the foil stamped text I had in mind. I had initially used the portrait of Bandit because of the red in his portrait and how I love that portrait as well, but my heart went for the little black kitty and the portrait that had changed my outlook on my career as an artist.

Samantha’s mom agreed for Samantha to be on the cover; it’s one thing to be in the book, quite another to be on the cover and therefore see your kitty’s portrait all over the place as I promote the book. I knew how she felt about Samantha still, after all these years, and that might be painful. In the end, it’s a joy for her to have a copy forever on her coffee table so she can not only look at her portraits on the wall, but her copy of the calendar in her living room.

Here is Samantha’s page in Great Rescues:

Read other stories about cats and their rescuers from Great Rescues.

Riley

Learn more about Great Rescues Calendar and Gift Book

The Cat of a Lifetime

Posted: August 14, 2011 | Author: Bernadette | Filed under: animal artwork, books about cats dogs and animals, cat artwork, cat photographs, cat stories, cats, cats I know, great rescues calendar and gift book, great rescues families, rescue cats, rescue stories, senior cats | Tags: cat paintings, cat photos, cat stories, cats, great rescues calendar and gift book, great rescues families, pets, rescued cats | 6 Comments

Sherman's Portrait No. 1

Sherman’s family had not lived with any cats prior to Sherman, and have adopted none since, in fact, they are allergic to cats. Yet when an animal-loving friend needed to move from Pennsylvania to Texas and wanted to place as many as possible of her cats and dogs in homes before she left (taking the “unadoptables” with her), they met Sherman and decided to take him home. He was a full-bred ruddy Abyssinian with the gregarious personality and intuitive nature of the breed and adapted immediately, managing their schedules and greeting the neighbors.

If you’ll only be able to share your life with one cat, then finding a cat like Sherman is truly finding the cat of a lifetime.

Sherman is one of the rescued cats featured in my Great Rescues Calendar and Gift Book. The opening paragraph is his “rescue story” from the book, and here is more about him and his people.

When their friends with four children and a house full of animals needed to move, they thought it would be best if they found homes for as many of their cats and dogs as possible rather than make them endure the long drive and resettle. They had a number of animals they considered “unadoptable” because of illness, age or temperament, and those would travel with them. They would try to find homes for as many of the others before they left, but take any who hadn’t been adopted.

“We went to visit them and we came home with a cat!” said Rose. “The last time we visited they told us they wanted us to take Sherman.”

Sherman apparently had an idea what was going on. “I didn’t really want to adopt a cat, but Sherman knew Lou would be easier to work on so he started rubbing around Lou’s legs,” Rose recalled. Then Sherman wrapped himself around Lou and wouldn’t let go. Of course she couldn’t say no, and of course she fell in love with him too.

“We were totally unprepared,” they said “Of course we had nothing for a cat. We don’t remember what they gave us, a litterbox and some food maybe, I’m not even sure if we had a carrier.” They drove 40 miles with him sleeping in the back seat until he started wandering around the car, even trying to get under the gas pedal, but they were almost home.

Rose never had a pet of her own, though her sister had had a cat growing up, but Lou never had a dog or a cat ever in his life. What made Sherman’s owner approach these two as his adoptive family? Knowing them myself I would think it was something about their kind and gentle natures. Sherman probably knew he could easily manipulate them. It was meant to be.

Sherman was eight years old then, but was so friendly and outgoing he sometimes seemed “like a puppy”. “He adapted right away,” Rose said. “It was as if he’d always been here.” He hadn’t been just manipulating Lou, though, Sherman just fell in love with him, and began the continuing habit of sleeping on Lou’s pillow.

This was when the allergies surfaced. Lou had always had some allergies and symptoms of asthma, but never having had a pet had no idea what the effect would be.

“The doctor said I had to get rid of the cat. I told the doctor, ‘No way, I’m not getting rid of the cat.’ The doctor said keep him out of the bedroom, I said ‘No way,’”

So Sherman always got his way. It was because they loved him so much.

They were amazed at some of his abilities.

“He could read your mind, he knew how you felt and what you wanted to do,” said Rose.

Lou worked night turn, when Sherman decided Lou had slept enough he would pull Lou’s eyelids open.

“He loved everyone,” said Lou. “When we would take walks, no leash or anything, it wasn’t necessary, he would walk along with me, go up to greet people, and sometimes sit to wait for people to walk up to him,” he continued. “On a day when a lot of people were around or out in their yards the walk would take a long time, especially when there would be an open garage door and he would have to go and investigate until he was satisfied.” Of course, Lou would patiently wait on the sidewalk until Sherman was done with his investigation.

Rose recalled that when someone come to do an energy audit of their house, after the tour they settled down at the dining room table to talk over the findings. The guy had a beard, and Sherman started grooming this guy’s beard.

“Lou has a beard, and Sherman groomed his beard too” Rose said. “I think Sherman thought Lou was a big cat.”

And though most of the memories of Sherman involve his relationship with Lou, Rose had her time with Sherman as well. “He was very comforting because he was so soft to touch. Sherman had a silky coat, it looked soft and it was soft,” she remembered

Sherman lived to be 18, a good ten years with a very special cat.

After they lost Sherman, Lou “realized how much breathing he had been missing”, and they both decided another cat was probably not a good idea.

“We see cats and we talk about it, but he’s allergic. He’s not so allergic that he can’t visit someone with pets, some he’s more allergic to than others,” Rose explained.

Sherman is still a big influence, and they still use his name whenever possible.

Sherman’s portrait set was one of the ones I needed to rephotograph in order to print the calendar. They are small, 8” x 8” each, and I had painted them in 1994 (the calendar says 1996, but I had the wrong date on my paperwork from way back then). The photos I took then were fine to trim down and add to my portfolio book, but enlarging them only lost detail and the colors were impossible to adjust. The lens I had then made focusing on something small very difficult; shortly after that I finally purchased a high-quality scanner and used that for anything small enough to fit in the scanner bed.

And even when I visited to pick up the portraits—I needed to bring them home to photograph them—the stories continued, and Lou was concerned about how long Sherman’s portraits would be away.

“He knew when the kids would be coming home from school, and would sit at the top of the steps to greet them,” both Rose and Lou agreed, “and then he’d be back in the house getting involved in whatever we were doing.” He also waited for Lou to come home from work, sitting on a chair which Rose had placed in front of the screen door.

Creating the portrait

Rose and I worked together for several years in the 90s, and in addition to her day job Rose is herself a textile artist, so though we worked in different departments we would sometimes discuss local art events, like the Three Rivers Arts Festival, and what we’d seen there and were working on. Later, when I needed to learn about cold-set dyes and purchasing blank t-shirts for my Tortie Girls prints, she would also be the person to explain the different types of fabric dyes and guide me to Dharma Trading Company where I buy my blank shirts and dyes.

Remembering Lou’s relationship with Sherman, she decided a couple of years after they had lost Sherman she’d get Lou a portrait of him that he could keep forever.

As we discussed Sherman’s portrait and looked at photos considering postures and settings, we initially decided on the image one of him outside on the patio since they had spent much time out there and it was simply a nice image, appealing to both of us.

Yet she had mentioned more than once him sitting on the chair in front of the door, and knew that was a very special memory for Lou.

Sherman at the door was a big, strong memory, but simply not as nice to look at as the one on the patio, yet the one on the patio wouldn’t serve all on its own, and I knew this from trying to choose images for portraits of my own cats.

I suggested two small portraits and she liked the idea so we didn’t have to choose one and eliminate the other, risking a regret later, and the possibilities of framing and hanging them appealed to her as well.

However, she didn’t have a photo of Sherman at the door. Well, I rarely work from one photo, and often add things that people have described to me, painted in backgrounds from photos I have, imagined what an animal looked like before the cataracts or the amputated leg, or tried to visualize an animal from the one and only photo available that shows the animal very small, blurry, and the flash washing out its face. If I have enough information, I can visualize the rest. It’s a different sort of a challenge to create a portrait from scratch.

We discussed the type of screen door and chairs they’d had, the house was pale yellow brick, and I took it from there.

Sherman's Portrait No. 2

Here is Sherman’s page in Great Rescues

Read other stories about cats and their rescuers from Great Rescues.

Riley

Learn more about Great Rescues Calendar and Gift Book

Out in the Garden

Posted: August 5, 2011 | Author: Bernadette | Filed under: animal artwork, backyard, cat photographs, cats I know, great rescues calendar and gift book, great rescues families | Tags: cat photographs, cat photos, cats, feline photographs, flowers, garden, pet photography, photography | 6 Comments

Emerson considers the garden.

Emerson thinks about all the wonderful sights and sounds and smells he’d experience out in the garden. There’s just something about a cat looking out a window that I always find appealing.

This is one of the many photos I took at Judi’s house yesterday. A visit to Judi’s house is always good for photos, whether it’s her cats, her garden or her house itself! The last really pretty photo I took became Holly’s portrait, so who knows what will become of this?

She tells me Emerson is a wild man when he gets outside, and can’t always be trusted out there. I think I’d feel the same way among all those lovely flowers.

A Bridge Between the Ages

Posted: August 5, 2011 | Author: Bernadette | Filed under: animal artwork, books about cats dogs and animals, cat artwork, cat photographs, cat stories, cats, cats I know, great rescues calendar and gift book, great rescues families, rescue cats, rescue stories, senior cats | Tags: cat paintings, cat photos, cat stories, cats, great rescues calendar and gift book, great rescues families, pets, rescued cats | 5 Comments

Houdini and Holly, best friends to the end, courtesy Judi Stadler

“Holly was my first and only kitten,” Judi told me. “All my cats were adults that I rescued or adopted. She was a real treat—I’d never seen the energy of a kitten.”

Holly in the toolbox, courtesy Judi Stadler

Holly was about six weeks old when Judi’s partner Don brought her home in the cereal box and is a featured rescue kitty in Great Rescues:

Holly’s dad was working on his apartment building in a small town 50 miles from his home and noticed a tiny kitten, maybe five weeks old, running from under the porch at the house next door; apparently they were just letting a new litter run the streets until they decided what to do with them. He put milk out for the kitten as she visited the back stairway, then went next door to confirm the kittens belonged to them, asking if he could adopt the little calico, to which they agreed.

Holly on the ladder, courtesy Judi Stadler

He took her into an apartment and fed her there, took her to the local vet for a checkup and kept her with him for about 2 weeks as he worked on the building. The neighbor stopped him in the driveway a few days later and said she had promised the kitten to her sister. Holly’s dad immediately replied that he had already given her a new home in Pittsburgh, 50 miles away, and she was no longer available. Later, he secreted Holly out hidden in a cereal box and brought her home.

Houdini and Holly, wrestling, courtesy Judi Stadler

“She got along with everybody. They were all equally annoyed with her kitten games—but Houdini took to it right away,” she continued.

And that would be very special for Judi; Houdini was then 19 years old, and he had been her first cat, ever, in a lifetime of rescuing cats. At that age, she knew they wouldn’t be together too much longer. “Holly kept him playing like a kitten in his last year,” she said.

Separately and then together, Judi and Don have rescued at least a dozen cats, and it’s always interesting to find out how serial cat rescuers got their start. Often, it begins with just one very special cat, and many other cats’ lives are ultimately saved because of the loving relationship between that cat and that person. For now, we’ll focus on the story of Judi and the cat who started it all for her.

Finding Houdini

The young Houdini, courtesy Judi Stadler

So how does a person who’s never lived with a cat end up with a cat like Houdini? And with a name like that you know there’s got to be a story.

“I had just bought my house, and I decided, ‘This is my first house, I’m buying it by myself, and I’m going to get a cat’,” Judi stated. Those three activities might not seem entirely congruous to some people, but getting your own place is often the time people adopt their first pet.

While a cat was Judi’s choice for a pet, it was her friend Joanie, already a cat owner, who took her to the Animal Rescue League where Joanie herself had adopted her three cats.

But Judi would say the rest of it was up to Houdini.

“He picked me,” she said simply. “We walked past all the cages and he was laying on his back reaching his paws out through the bars at me. He was about a year and a half old, not a kitten. Everything in his cage was upside down—litter, water, food. I wanted him so badly, but I had to wait three days,” she remembered, referring to the fact that he had been brought into the shelter as a stray and the shelter policy at that time was to give the owner time to come and claim the animal.

He got his name the very first day he was in her home, which was new to her as well since she’d just moved in. When she brought him home she put him in a room by himself that had nothing in it but his food, water and litter—and he disappeared! Then she found him in the next room. New house, new cat owner, she had no idea what to think.

Houdini being swallowed by fishy cat bed, courtesy Judi Stadler

There was a countertop with shutters between that room and the next, but as far as Judi knew the shutters were decorative or fixed in place, she hadn’t really noticed them until she started to look for the cat. Houdini, however, had jumped up on the counter which pushed the shutters open, continued through to the other room, the shutters closed behind him, and no one could know better.

For the next few years it was just her and Houdini as Judi accustomed herself to the wiles of a very intelligent, intuitive cat. She kept him indoors, but he managed to pop the screen out of a first-floor window early one morning and was gone when she awoke. She ran around the neighborhood calling for him and saw him soon enough walking next to a neighbor’s house. Not knowing cats she had no idea what to do, but quickly decided trying to run him down on foot wasn’t a good idea, so she simply greeted him. “Hi, Houdini, there you are! Come here, buddy! I’m so glad to see you!” Houdini hurried over happy and purring, and Judi picked him up and took him inside.

And he had his five wake-up routines—lifting the lid on the cedar chest with his nose far enough to let it fall down with a bang several times, and if that didn’t work he’d bite the edge of her silk lamp shades, and so on.

Gabby

When she moved to her current house the neighborhood hosted a number of cats who were either stray or fairly neglected, and she was immediately taken with concern for them, thinking “what if one of them was Houdini?”

The dark tabby she saw daily walking around in the box gutters of the apartment building a few doors down she named Luther. The black and white cat who was always on a windowsill crying to get into an apartment and who ran to greet her when she came home she named Sylvester. And the scruffy long-haired orange cat whose owners were totally unconcerned if she lived or died she named Gabby, and though they managed to get Gabby back from her, Gabby would return another day.

Houdini and Holly, courtesy Judi Stadler

So it was that she had three lovely kitties and a few years after that Don moved in with his three rescued cats, Heart, Kitty and Callie (a male calico), and that’s the way they all became “The Brady Meow Bunch”.

Fast forward almost ten years and a few more cats, and Houdini had lost his best playmate, Kitty, shortly after Holly came into the household in November 2007. Houdini, always congenial, let her torture him where the other cats were none too amused, and wrestled with her as she grew, and they curled to sleep together until he passed in January 2009.

Judi with Hilda

It wasn’t planned, she wasn’t looking to find another Houdini, but in March that year Judi found herself at the Animal Rescue League and came home with another young adult gray cat, who she named Emerson (of the undescended testicles) and who is a story unto himself.

“When you live with animals you are just less self-centered,” Judi said. “You come home from work and the stress of the day just disappears when you see your cats, you let things go for a while and realize it’s not all about us.

“When we come home,” she said to Hilda, “it’s all about you.”

Antique desk and lamp, vintage ceramics and glass, and cat bed

About the rescuers

Obviously, Judi and Don have a lot of rescue stories between them just waiting to be told. I’ve enjoyed getting to know these kindred spirits personally and professionally, and sharing stories of our rescues, our daily funnies and our losses as well.

Aside from having our cats in common, Judi owns Carnegie Antiques where I have my little shop in the back room. We met when I was running Carnegie Renaissance, an all-volunteer community development group I’d helped found in order to bring businesses together and host community activities; Judi welcomed me the first time I entered her shop and she was always willing to volunteer and participate in activities.

I’ve also designed and am redesigning her website and assist her with marketing and social networking. In fact, we were hard pressed to keep our minds on Judi’s website redesign the other day because Holly and Hilda and Emerson and Alli and Tiffany were much more interesting subjects!

Holly

Hilda

Tiffany

Emerson

Alli

Here is a little more information about them, also from Great Rescues.

Holly’s mom and dad are friends of mine and I see her regularly. She’s a congenial little calico who greets you at the door and knows she’s the center of attention. Among other things, they own an antique and vintage shop and collect furniture and household items, hence their large Victorian house is full of neat and colorful things—and always about a half dozen cats. Both have adopted from shelters, rescued cats much like Holly and taken in stray cats from the neighborhood as well as the relentless parade of e-mails advertising cats who need homes, including lovely but troubled Tiffany, who requires lots of patience to understand a cat who turned out to be feral but was not described as such.

On the back of the rocker Holly is accessible to everyone who walks through the room and can see most of the first floor of the house. In addition to the subject of a portrait I’ll often add a certain amount of a background scene which will truly make it an accurate portrait of a person’s pet showing it in the actual setting of the house where they lived. I had taken the photo on a bright winter day I visited and knew it would one day be a wonderful painting, and so it turned out to be. In this case, because it shows so much of the background including the stained glass window, I wanted it to look more like an illustration than a formal detailed portrait, so used the natural transparency of watercolor.

Here is Holly’s page in Great Rescues

Read other stories about cats and their rescuers from Great Rescues.

Riley

Learn more about Great Rescues Calendar and Gift Book